Saturday, August 23, 2014
 
Follow sptimesonline on Facebook Follow sptimesonline on Twitter Follow sptimesonline on RSS
MOST READ



PARTNER NEWS



BLOGS



OPINION



WHERE TO GO?

The Romanovs in St. Petersburg

History of St. Petersburg Museum

Small Tragedy, Fatal Passion

Rimsky-Korsakov Apartment Museum

 

  Print this article Print this article

Femme fatale

The latest addition to the Mariinskys repertoire is a dramatic adaptation of Anna Karenina.

Published: April 23, 2010 (Issue # 1567)



  • Diana Vishneva, in the role of Anna Karenina, dances with Islom Baimuradov, in the role of her husband Alexei Karenin.
    Photo: Natasha Razina / For The St. Petersburg Times

  • Vishneva dances with Zverev.
    Photo: Natasha Razina / For The St. Petersburg Times

The prominent Russian choreographer Alexei Ratmansky premiered a new ballet loosely based on Leo Tolstoys novel Anna Karenina at the Mariinsky Theater last week, giving center stage to psychological drama.

Ratmanskys choreographic rendition of the celebrated 1877 literary work which recently topped the bestseller list in the U.S. after it was endorsed by TV talk show host Oprah Winfrey explores the drama of a sentimental yet profound woman overwhelmed by her feelings.

Composer Rodion Shchedrin originally created the score for Anna Karenina back in 1972 specifically for his wife, the legendary ballerina Maya Plisetskaya, who choreographed the ballet herself at the Bolshoi Theater and appeared in the title role.

Since then, a number of choreographers including Boris Eifman have turned their hand to the Russian literary classic.

Ratmanskys rendition of Anna Karenina, which saw its world premiere at the Danish Royal Ballet in Copenhagen in 2004 and has since been staged in Finland, Lithuania and Poland, presents the audience with a psychological account of the heroines passions. His ballet lacks nothing in depth, intensity and fervor. The productions short, dynamically changing scenes emerge as painful memories in the mind.

Ratmanskys representation of Annas drama is sweeping, capturing the evolution of her story in its spontaneity, and leaving no space for reflection or meditation. The ballet begins very deliberately with a static scene of Vronsky silently lamenting over Annas dead body laid out on a table, with a large video image of her projected onto the back of the stage, as if seen in his minds eye. Then the story jumps back to the beginning, with the heroine, tenderness personified, clinging ecstatically to her lover as she jumps off the train.

In this sense, it would be fair to say that the audience sees the story through the eyes of this handsome, passionate yet shallow officer, who is altogether incapable of reflection.

The otherwise minimalist sets feature a full-scale train carriage, which appears not only in the finale but also in Act One, when it revolves around itself, showing Anna on her way to see Vronsky.

Unfortunately, on the opening night, the train disaster happened far earlier than intended in the plot, when the carriage suddenly emitted a loud screech and stalled, ruining the stage carpeting. Much to the distress of all, both on and off-stage, the curtain came down and a lengthy interval ensued in which the surface was replaced. On the second night, all the train scenes thankfully went smoothly.

Pages: [1] [2]






 


ALL ABOUT TOWN

Saturday, Aug. 23


Uppsala Park plays host to Fairy Noon today, a performance of five separate fairy tales ranging from folk classics to more haunting selections. There will be three different renditions of the tales throughout the day and tickets start at 500 rubles ($13.80) for adults and 300 rubles ($8.30) for children.


Classic Finnish cartoon characters the Moomins expect to receive a warm welcome from Russian fans during todays Moomin Festival at the Pearl Plaza Shopping Center at 51 Petergofskoye Shosse. Become a kid again or introduce a new generation to the beloved creation of Finnish writer Tove Jansson.



Sunday, Aug. 24


The tortured genius of Dutch master Vincent van Gogh gets his day in the centers Konnushnaya Ploschad during Make Art Like Van Gogh, a daylong celebration of the artist that will allow amateur artists to try and replicate the work that made the famed painter world-renowned.


Experience a variety of dances highlighting the diversity of the world around as at the final day of the Ethno-Dance International Dance Festival that has been at the St. Petersburg Humanitarian University of Trade Unions this past week. Tonights performance will feature Egyptian dancers accompanied by local orchestras.



Monday, Aug. 25


Today kicks off the Elena Obraztsovoy International Competition for Young Vocalists in the large hall of the Shostakovich Philharmonic. Talented youngsters will showcase their range over the next six days before a winner is chosen on Aug. 30.



Tuesday, Aug. 26


Love movies but hate all those words? Then check out Rodina Cinema Centers Factor of Consensus film forum this evening. Silent movie classics from the beginning of the 20th century will be screened and accompanied by a pianist, who will provide the soundtrack for the ongoing action. The screenings begin at 7 p.m. Check Rodinas website for more details.



Times Talk