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Moscows Bolshoi Takes Maid of Pskov to Its Actual Setting

Published: August 10, 2010 (Issue # 1599)



  • Rimsky-Korsakovs opera proved an engrossing spectacle when it was given an open-air performance in the Pskov Kremlin.
    Photo: Damira Yusupova / Bolshoi Theater

In mid-July, the ancient city of Pskov, located on the far western edge of Russia near the borders of Estonia and Latvia, marked the 500th anniversary of its accession to the Grand Principality of Moscow. As part of the celebration, the citys huge and splendidly preserved Kremlin played host to a performance of Nikolai Rimsky-Korsakovs opera The Maid of Pskov, a highly romanticized account of an expedition undertaken by Tsar Ivan the Terrible in 1570 to place his stamp of authority on the city.

Musically, the performance proved to be of a very high standard, thanks to excellent work on the part of the chorus, orchestra and, with one exception, soloists of the Bolshoi Theater. But the staging by Yury Laptev, a former Mariinsky Theater baritone who now serves as advisor to President Dmitry Medvedev on matters of cultural development, verged on the primitive. And a much too gently sloped seating area caused a large part of the action to take place out of sight of all but a handful of the 4,000 spectators.

Nevertheless, the spectators, who filled every seat at the performance and at a dress rehearsal the previous evening, seemed to find The Maid of Pskov an engrossing spectacle. No doubt the pageantry, complete with armored soldiers on horseback and a contingent of the Tsars personal guards, plus a horde of extras, had much to do with keeping nearly all of both audiences in their seats to the very end. Adding to the allure was the historic significance of seeing the opera performed for the first time ever on the very spot where much of its story takes place.

Based on a play by mid-19th-century writer Lev Mei, The Maid of Pskov was the first of Rimsky-Korsakovs 15 operas and had its premiere in St. Petersburg in 1873. The role of Ivan the Terrible was a great favorite of legendary bass Fyodor Chaliapin, who performed it, most notably perhaps, in a production staged in 1909 as part of impresario Sergei Diaghilevs very first Saison Russe in Paris. It was last heard at the Bolshoi in 1999, in a brief run of performances that marked the final appearance at the theater of the greatly revered maestro Yevgeny Svetlanov.

Rimsky-Korsakovs score contains a couple of fine tunes that, as is typical of the composer, are played over and over again. Otherwise, it mostly relies on declamation, similar to, but not nearly as powerful or imaginative as that heard in Modest Mussorgskys almost simultaneously composed opera Boris Godunov. Later in his career, Rimsky-Korsakov produced yet another opera, The Tsars Bride, also adapted from a play by Mei and set in the reign of Ivan the Terrible, and came up with a much more compelling score.

Bass Alexei Tarnovitsky, borrowed for the occasion from St. Petersburgs Mariinsky Theater, sang a powerful Tsar Ivan, though his acting, like that of many others in the cast, harked back to the era of silent movies or, perhaps more accurately, to what was seen on the Russian operatic stage five or six decades ago. Vyacheslav Pochapsky, a veteran of the Bolshois 1999 performances, brought a still-resonant bass and great dignity to the role of Prince Yury Tolmakov, the Tsars appointed head of Pskovs government.

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Saturday, Nov. 1


The men and women who dedicate their lives to fitness get their chance to compete for the title of best body in Russia at todays Grand Prix Fitness House PRO, the nations premier bodybuilding competition. Not only will men and women be competing for thousands of dollars in prizes and a trip to represent their nation at Mr. Olympia but sporting goods and nutritional supplements will also be available for sale. Learn more about the culture of the Indian subcontinent during Diwali, the annual festival of lights that will be celebrated in St. Petersburg this weekend at the Culture Palace on Tambovskaya Ul. For 100 rubles ($2.40), festival-goers listen to Indian music, try on traditional Indian outfits and sample dishes highlighting the culinary diversity of the billion-plus people in the South Asian superpower.



Sunday, Nov. 2


Check out the latest video and interactive games at the Gaming Festival at the Mayakovsky Library ending today. Meet with the developers of the popular and learn more about their work, or learn how to play one of their creations with the opportunity to ask the creators themselves about the exact rules.



Monday, Nov. 3


Non-athletes can get feed their need for competition without breaking a sweat at the Rock-Paper-Scissors tournament this evening at the Cube Bar at Lomonosova 1. Referees will judge the validity of each matchup award points to winners while the citys elite fight for the chance to be called the best of the best. Those hoping to play must arrange a team beforehand and pay 200 rubles ($4.80) to enter.



Tuesday, Nov. 4


Attend the premiere of Canadian director Xavier Dolans latest film Mommy at the Avrora theater this evening. The fifth picture from the 25-year-old, it is the story of an unruly teenager but the most alluring (or unappealing) aspect is the way the film was shot: in a 1:1 format that is more reminiscent of Instagram videos than cinematic art. Tickets cost 400 rubles ($9.60) and snacks and drinks will be available.



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