Sunday, October 26, 2014
 
Follow sptimesonline on Facebook Follow sptimesonline on Twitter Follow sptimesonline on RSS Download APP
MOST READ



PARTNER NEWS



BLOGS



OPINION



WHERE TO GO?

19th Century Portraits

History of St. Petersburg Museum: Rumyantsev Mansion

 

  Print this article Print this article

New Russian Plays in English

Published: November 6, 2013 (Issue # 1785)



  • Actors perform in a scene from Yelena Greminas One Hour and Eighteen Minutes, directed by Noah Birksted-Breen.
    Photo: Helen Warner / Sputnik

Noah Birksted-Breens anthology of contemporary Russian drama is the first to be published in English.

Noah Birksted-Breen founded the Sputnik Theatre in London in 2005 with the purpose of championing Russian drama and theater in the U.K. Hes been doing that ever since. In the ensuing years he has presented four full-fledged productions of contemporary Russian plays all directed and translated by him. He periodically presents staged readings of new and unusual works, such as the reading of jailed oligarch Mikhail Khodorkovskys prison diaries he presented on Oct. 23.

In 2010, Breen mounted a festival of readings that introduced London audiences to plays by Yaroslava Pulinovich, Natalya Kolyada, Maxim Kurochkin and Vladimir Zuyev. In 2012, he translated and directed a production of Yelena Greminas One Hour Eighteen Minutes, about the prelude and aftermath to the death in a prison cell of Russian muckraker Sergei Magnitsky. Now, in 2013, he has published New Russian Plays, a collection of five plays he has worked with in the first eight years of his theaters life.

The book contains the descriptive phrase Five contemporary playwrights who have shaped playwriting in Russia, Ukraine and Belarus. Indeed, even in such a small number of plays, Birksted-Breen was able to provide a striking picture of the diversity that is Russian drama today.

Natalya Kolyada (often spelled Kaliada since she is from Belarus) is a founding member of the famous Belarus Free Theater which, due to the repressive politics of that small nation, is now in residence in England. Birksted-Breen presented her play Dreams at his festival in 2010. It is a piece for six females, aged 30 to 60, and explores the lives of women who exist on one side or the other of the norm.

Techniques of Breathing in an Air-Locked Space by Natalya Moshina, a writer from the city of Ufa, was one of Birksted-Breens earliest projects. It was his second full production in 2006. By then it had achieved some renown in Russian theater circles by way of a production done by the Free Theater in Minsk. It is an episodic piece that observes various people whose lives are closing in on them, such as an actress fed up with her profession, or a young woman struggling with cancer.

Vladimir Zuyev is from Yekaterinburg, one of the mighty army of playwrights who have studied with Nikolai Kolyada (no relation to Natalya) at the Yekaterinburg State Theater Institute. His play Mums, as translated by Birksted-Breen, was first published in 2006. It involves a group of people living on the edge of despair, as one character puts it, in and around a dingy basement during a war.

Two writers in the collection Yury Klavdiyev and Maxim Kurochkin are arguably the two most powerful playwrights working in Russian theater today. The former is from the southern Russian city of Tolyatti and emerged as a force to be reckoned with in the mid-2000s. The latter is a native of Kiev, Ukraine, but has made Moscow and the Russian language his home for the last 15 years.

Kurochkins Tityus the Irreproachable is a marvelous example of this writers effervescent, exuberant, absolutely irrepressible imagination. It is a vividly-colored dramatic canvas that uses a sci-fi setting (a spaceship in the distant future) to grapple with contemporary problems that have existed for thousands of years. Characters with names like Administrator-Killer, Architecton, Pork, Blob and Suburbius are engaged in a post-human era battle to forestall the future. You can imagine how well that comes off.

Klavdiyevs The Slow Sword, which opens the collection, is a quintessential work by this writer violent, smart and unforgiving. It tells the story of a young professional dropping out of his successful life to see how and why people live. He encounters drug addicts, thieves, rapists and victims. It is a harsh, nasty, powerful play that walks all over attempts to understand the world of these characters through a liberal or conservative philosophy. The play leads off Birksted-Breens New Russian Plays anthology, the first such collection in the English language.





 


ALL ABOUT TOWN

Saturday, Oct. 25


AVA Expo, the eighth edition of the event revolving around all things pop, returns to Lenexpo this weekend. Geeks, nerds, dweebs and dorks will have their chance to talk science fiction and explore a variety of international pop culture. Tickets for the event can be purchased on their website at avaexpo.ru.



Sunday, Oct. 26


Zenit St. Petersburg returns home for the first time in nearly a month as they host Mordovia Saransk in a Russian Premier League game. Currently at the top of the league thanks to their undefeated start to the season, the northern club hopes to extend the gap between them and second-place CSKA Moscow and win the title for the first time in three years. Tickets are available at the stadium box office or on the clubs website.



Monday, Oct. 27


Today marks the end of the art exhibit Neophobia at the Erarta Museum. Artists Alexey Semichov and Andrei Kuzmin took a neo-modernist approach to represent the array of fears that are ever-present throughout our lives. Tickets are 200 rubles ($4.90).



Tuesday, Oct. 28


The Domina Prestige St. Petersburg hotel plays host to SPIBAs Marketing and Communications Committees round table discussion on Government Relations Practices in Russia this morning. The discussion starts at 9:30 a.m. and participation must be confirmed by Oct. 24.



Times Talk