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Oleg Vassiliev: Past Imperfect

Published: December 18, 2013 (Issue # 1791)



  • Oleg Vassiliev, The Wild Flowers, (Detail) 2005 2006, colored pencil on canvas.
    Photo: Faggionato / For SPT

  • Oleg Vassiliev, 'The Aisle,' 2004, oil on canvas.
    Photo: Faggionato/ For SPT

  • Oleg Vassiliev, Intertwined Space, 2012, oil on canvas.
    Photo: Faggionato / For SPT

  • Oleg Vassiliev, Praire Grasses, Reflections, 2012, oil on canvas.
    Photo: Faggionato / For SPT

  • Oleg Vassiliev, 'Lusja with Tulips,' 1967, oil on canvas.
    Photo: Faggionato / For SPT

Memory is a fickle process. Before photography, painting, among the other monumental arts, held the role of repository for institutional and collective memory. While still subjective, it was perceived as presenting the totality of an historical event. Since the advent of photography, painting has been relegated to the periphery of history as a vehicle for personal memory and fantasy.

Oleg Vassiliev, the subject of a solo exhibition at the Faggionato gallery in London, grew up in a culture whose relationship to memory, indeed memory itself, was always subject to revision depending on who was in power. Perhaps as a response to this, his paintings often feature a haziness overlaying a hint at reality.

Precise to the point of photorealism in some aspects, Vassilievs paintings nonetheless bear the marks of compromised reminiscence. Alternating between total, geometric abstraction and meticulously drawn landscapes they present the periphery of an incomplete image that is often obliterated by a spreading darkness at the center.

A landscape, The Aisle, from 2004, shows this rather bewildering black hole at its center to great effect. The artist saw this abstract, spatial element as being connected to the selectiveness of memory and that when trying to recall the initial intensity of an experience one was always drawn into the void. The hole at the center of this and other of Vassilievs paintings can also be read as a depiction of Orwells memory hole, a place in the authors novel 1984 where old versions of reality are dropped as newspapers and other documents are altered in accordance with the pronouncements of Big Brother and the Party.

To me, the visible and tangible world is more a thing of remembrance than of perceptions of reality, Vassiliev wrote. The present is saturated with the past as a live sponge is saturated with water: Through the workings of memory, light comes from the past and illuminates, snatches out of the dark that which is not of this moment. That light is the very essence of remembrance. The deeper one delves into the past, the more powerful the stream of light. And somewhere over there, beyond the boundaries of the discernible, it turns into a river of golden light. In that river my life drowns, and everything that was before lives.

Vassiliev talked in metaphysical terms about the ways in which a painting is experienced. That while a viewer may be standing in front of a painting appreciating technique and formal values, a good work of art should take you to the other side on an emotional level as the nexus where the objective meets the emotional, subjective response.

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ALL ABOUT TOWN

Friday, Oct. 31


Put your grammar and logical thinking to the test in a fun and friendly environment during the British Book Centers Board Game Evening starting at 5 p.m. today. The event is free and all are welcome to attend.



Saturday, Nov. 1


The men and women who dedicate their lives to fitness get their chance to compete for the title of best body in Russia at todays Grand Prix Fitness House PRO, the nations premier bodybuilding competition. Not only will men and women be competing for thousands of dollars in prizes and a trip to represent their nation at Mr. Olympia but sporting goods and nutritional supplements will also be available for sale. Learn more about the culture of the Indian subcontinent during Diwali, the annual festival of lights that will be celebrated in St. Petersburg this weekend at the Culture Palace on Tambovskaya Ul. For 100 rubles ($2.40), festival-goers listen to Indian music, try on traditional Indian outfits and sample dishes highlighting the culinary diversity of the billion-plus people in the South Asian superpower.



Sunday, Nov. 2


Check out the latest video and interactive games at the Gaming Festival at the Mayakovsky Library ending today. Meet with the developers of the popular and learn more about their work, or learn how to play one of their creations with the opportunity to ask the creators themselves about the exact rules.



Monday, Nov. 3


Non-athletes can get feed their need for competition without breaking a sweat at the Rock-Paper-Scissors tournament this evening at the Cube Bar at Lomonosova 1. Referees will judge the validity of each matchup award points to winners while the citys elite fight for the chance to be called the best of the best. Those hoping to play must arrange a team beforehand and pay 200 rubles ($4.80) to enter.



Tuesday, Nov. 4


Attend the premiere of Canadian director Xavier Dolans latest film Mommy at the Avrora theater this evening. The fifth picture from the 25-year-old, it is the story of an unruly teenager but the most alluring (or unappealing) aspect is the way the film was shot: in a 1:1 format that is more reminiscent of Instagram videos than cinematic art. Tickets cost 400 rubles ($9.60) and snacks and drinks will be available.



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