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Oleg Vassiliev: Past Imperfect

Published: December 18, 2013 (Issue # 1791)



  • Oleg Vassiliev, The Wild Flowers, (Detail) 2005 2006, colored pencil on canvas.
    Photo: Faggionato / For SPT

  • Oleg Vassiliev, 'The Aisle,' 2004, oil on canvas.
    Photo: Faggionato/ For SPT

  • Oleg Vassiliev, Intertwined Space, 2012, oil on canvas.
    Photo: Faggionato / For SPT

  • Oleg Vassiliev, Praire Grasses, Reflections, 2012, oil on canvas.
    Photo: Faggionato / For SPT

  • Oleg Vassiliev, 'Lusja with Tulips,' 1967, oil on canvas.
    Photo: Faggionato / For SPT

Memory is a fickle process. Before photography, painting, among the other monumental arts, held the role of repository for institutional and collective memory. While still subjective, it was perceived as presenting the totality of an historical event. Since the advent of photography, painting has been relegated to the periphery of history as a vehicle for personal memory and fantasy.

Oleg Vassiliev, the subject of a solo exhibition at the Faggionato gallery in London, grew up in a culture whose relationship to memory, indeed memory itself, was always subject to revision depending on who was in power. Perhaps as a response to this, his paintings often feature a haziness overlaying a hint at reality.

Precise to the point of photorealism in some aspects, Vassilievs paintings nonetheless bear the marks of compromised reminiscence. Alternating between total, geometric abstraction and meticulously drawn landscapes they present the periphery of an incomplete image that is often obliterated by a spreading darkness at the center.

A landscape, The Aisle, from 2004, shows this rather bewildering black hole at its center to great effect. The artist saw this abstract, spatial element as being connected to the selectiveness of memory and that when trying to recall the initial intensity of an experience one was always drawn into the void. The hole at the center of this and other of Vassilievs paintings can also be read as a depiction of Orwells memory hole, a place in the authors novel 1984 where old versions of reality are dropped as newspapers and other documents are altered in accordance with the pronouncements of Big Brother and the Party.

To me, the visible and tangible world is more a thing of remembrance than of perceptions of reality, Vassiliev wrote. The present is saturated with the past as a live sponge is saturated with water: Through the workings of memory, light comes from the past and illuminates, snatches out of the dark that which is not of this moment. That light is the very essence of remembrance. The deeper one delves into the past, the more powerful the stream of light. And somewhere over there, beyond the boundaries of the discernible, it turns into a river of golden light. In that river my life drowns, and everything that was before lives.

Vassiliev talked in metaphysical terms about the ways in which a painting is experienced. That while a viewer may be standing in front of a painting appreciating technique and formal values, a good work of art should take you to the other side on an emotional level as the nexus where the objective meets the emotional, subjective response.

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ALL ABOUT TOWN

Thursday, Nov. 27


The Customs and Transportation Committee for AmCham meets this morning at 9 a.m. in their office on Ulitsa Yakubovicha.


Tickets are still available for local KHL team SKA St. Petersburgs showdown with Siberian club Metallurg Novokuznetsk tonight at 7:30 p.m. in the Ice Palace outside the Prospekt Bolshevikov metro station. Tickets can be purchased on the teams website, at the arena box office or in their merchandise store on Nevsky Prospekt.


Celebrate one of Russian literatures most tragic figures during Blok Days, a two-day celebration of the 134th anniversary of the poets birthday. The tragic tenors work, which led to writer Maxim Gorky to hail him as Russias greatest living poet before his death in 1921, will be recited and meetings and discussions about his contributions to the Silver Age of literature in St. Petersburg will be discussed in the confines of his former residence.



Friday, Nov. 28


Join table game aficionados at the British Book Centers Board Game Evening. Held every Friday at 5 p.m., aficionados and amateurs alike can come take part in a variety of different games that test ones intellect and cunning.



Saturday, Nov. 29


Cats, dogs, birds, rodents and reptiles are just some of the things that will walk and crawl at Lenexpo convention center this weekend as part of Zooshow, a two-day exhibition featuring not only mans best friends but a four-legged fashion show, as well as a food fair that will help pet owners find out more about which kibbles are best for their hungry pets.



Sunday, Nov. 30


Remember the 75th anniversary of the beginning of the Russo-Finnish war in 1939 during todays reenactment titled Winter War: How it Was. More than 200 people will take part in recreating the opening salvoes of the battle for the north in Kamenka, a small village situated between Vyborg and St. Petersburg, using authentic equipment and vintage vehicles from the era. The faux battle begins at 2 p.m.



Monday, Dec. 1


Serbia filmmaker Emir Kusturica is the featured guest this evening at the Lensovet Palace of Culture the Petrograd Side. Fans of the director will get the chance to watch his movie Black Cat, White Cat, as well as ask questions about his award-winning filmography. Tickets for the event, which starts at 7 p.m., start at 2,000 rubles ($42.50).



Tuesday, Dec. 2


Today is the final day of Takoy Festival, a three-week program of plays based on the works of Dostoevsky, Remarque and other famed European writers, whose work is transcribed for theatrical performances. Tonights festival finale is Fathers and Sons, a two-act drama staged by the Novosibirsk Academic Drama Theater based on Turgenevs classic about familial relations.



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