Monday, January 26, 2015
 
Follow sptimesonline on Facebook Follow sptimesonline on Twitter Follow sptimesonline on RSS Download APP
MOST READ



PARTNER NEWS


Legendary Porcelain Artworks for Your Home
The Gift Projects online showroom...


BLOGS



OPINION



WHERE TO GO?

19th Century Portraits

History of St. Petersburg Museum: Rumyantsev Mansion

The Kublitsky-Piotukh Family

Alexander Blok Apartment Museum

 

Перевести на русский Перевести на русский

Oleg Vassiliev: Past Imperfect

Published: December 18, 2013 (Issue # 1791)



  • Oleg Vassiliev, ‘The Wild Flowers,’ (Detail) 2005 – 2006, colored pencil on canvas.
    Photo: Faggionato / For SPT

  • Oleg Vassiliev, 'The Aisle,' 2004, oil on canvas.
    Photo: Faggionato/ For SPT

  • Oleg Vassiliev, ‘Intertwined Space,’ 2012, oil on canvas.
    Photo: Faggionato / For SPT

  • Oleg Vassiliev, ‘Praire Grasses, Reflections,’ 2012, oil on canvas.
    Photo: Faggionato / For SPT

  • Oleg Vassiliev, 'Lusja with Tulips,' 1967, oil on canvas.
    Photo: Faggionato / For SPT

Memory is a fickle process. Before photography, painting, among the other monumental arts, held the role of repository for institutional and collective memory. While still subjective, it was perceived as presenting the totality of an historical event. Since the advent of photography, painting has been relegated to the periphery of history as a vehicle for personal memory and fantasy.

Oleg Vassiliev, the subject of a solo exhibition at the Faggionato gallery in London, grew up in a culture whose relationship to memory, indeed memory itself, was always subject to revision depending on who was in power. Perhaps as a response to this, his paintings often feature a haziness overlaying a hint at reality.

Precise to the point of photorealism in some aspects, Vassiliev’s paintings nonetheless bear the marks of compromised reminiscence. Alternating between total, geometric abstraction and meticulously drawn landscapes they present the periphery of an incomplete image that is often obliterated by a spreading darkness at the center.

A landscape, “The Aisle,” from 2004, shows this rather bewildering black hole at its center to great effect. The artist saw this abstract, spatial element as being connected to the selectiveness of memory and that when trying to recall the initial intensity of an experience one was always drawn into the void. The hole at the center of this and other of Vassiliev’s paintings can also be read as a depiction of Orwell’s “memory hole,” a place in the author’s novel “1984” where old versions of reality are dropped as newspapers and other documents are altered in accordance with the pronouncements of Big Brother and the Party.

“To me, the visible and tangible world is more a thing of remembrance than of perceptions of reality,” Vassiliev wrote. “The present is saturated with the past as a live sponge is saturated with water: Through the workings of memory, light comes from the past and illuminates, snatches out of the dark that which is not of this moment. That light is the very essence of remembrance. The deeper one delves into the past, the more powerful the stream of light. And somewhere over there, beyond the boundaries of the discernible, it turns into a river of golden light. In that river my life drowns, and everything that was before lives.”

Vassiliev talked in metaphysical terms about the ways in which a painting is experienced. That while a viewer may be standing in front of a painting appreciating technique and formal values, a good work of art should take you to the other side on an emotional level — as the nexus where the objective meets the emotional, subjective response.

Pages: [1] [2 ] [3]






 


ALL ABOUT TOWN

Monday, Jan. 26


Feeling stressed by the crisis? The Northwest Coach University at 3 Ulitsa Vostsstanaya is hosting a master class by lifecoach Tatiana Almazova. She will shed light on the coaching process, the usefulness of coaching during times of economic downturn and how coaching can improve your career and business prospects. The event starts at 7 p.m. and admission is free. Pre-register by calling 424 3700.



Discover the State Hermitage Museum's collection of English painting at a lecture by art historian Yelizaveta Renne at the Prince Galitzine Library, 46 Nab. Reki Fontanki. The event starts at 6 p.m. and the lecture will be followed by a concert of arias, songs and duets by English composer Henry Purcell. The event is free of charge.



Tuesday, Jan. 27


Celebrate the 71st anniversary of the end of the Siege of Leningrad on Palace Square with a free concert at 7 p.m. Listen to WWII-era songs and the poetry of Olga Bergholz while you peruse outdoor exhibitions dedicated to life during wartime. The event is capped off by a fireworks display at 9 p.m.



Stop by the Lexica School of Foreign Languages at 73 Ligovsky Prospekt from now until Friday for a free English lesson. The classes start at 7 p.m. and cover all levels, from Beginner to Advanced. Registration by telephone on 7641692 and a desire to improve your skills are the only prerequisites.







Times Talk