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Jarmuschs Vampires in Love

New film offers a look into the intellectual lives of a vampire couple.

Published: April 12, 2014 (Issue # 1805)



  • Tom Hiddleston and Tilda Swinton as Adam and Eve in Jim Jarmuschs take on the vampire myth.
    Photo: Sony Pictures Classics

According to Jim Jarmusch, financing his latest film Only Lovers Left Alive was a very difficult process. It took him seven years to raise the money for the project. It seems surprising, given Jarmuschs status as one of the most sought after independent film directors and that each of his works has been destined for success. The directors vampire drama is no exception. The film received its international premiere at the Cannes Film Festival in 2013 and, although it didnt win the Palme dOr, critics around the world unanimously lauded the new masterpiece by the cult director.

Only Lovers Left Alive is Jarmuschs first film based on a love story but it is not without a twist, as might be expected. The two lovers in this case are ancient vampires played by Tom Hiddleston, known for the role of Loki in Thor, and Tilda Swinton, famous for her mystical roles, such as the White Witch from The Chronicles of Narnia and a fallen angel in Constantine. The attractive vampires are named Adam and Eve and their alliance is a perfect example of a harmonious union of opposites. Adam is a brunette dressed mostly in black, and Eve sports white hair with a penchant for white clothing. He tinkers with old equipment and lives in a dying Detroit. She uses an iPhone and chooses life in the exotic and beautiful city of Tangier. He is a reclusive musician contemplating suicide, while she teaches him to enjoy life. At the same time Adam and Eve share many similarities: They are both outcasts of a kind, bohemians hooked on art and mankinds greatest achievements. As a result, the names of prominent figures from history such as Nikola Tesla, Albert Einstein, Percy Bysshe Shelley, Lord Byron and Franz Schubert are heard throughout the film. Not only are they mentioned but the English poet Christopher Marlowe, played by John Hurt, makes an appearance as a vampire as well as the author of works attributed to Shakespeare.

Jarmuschs attention to the canon of vampire cinema is understandable because the director likes to pull apart popular genres and create movies about outsiders. Since their appearance in literature and cinema, vampires have always been strange characters, standing apart from the gray mass of humanity. Of course, over time their appearance has undergone some development. The bloodthirsty aristocrat Count Dracula, famously played by Bela Lugosi, has been gradually humanized and has even given up killing people. Vampires have become disillusioned romantics (Interview with the Vampire: The Vampire Chronicles), rock stars (Queen of the Damned, Suck), and the drinking of blood, which is originally a symbolic representation of sexual pleasure, began to resemble drug use (The Lost Boys, The Addiction). Jarmusch has used all of these elements from popular cinema mythology. He did not destroy it with unusual interpretations or unexpected additions, but developed the allegory logically, which is, in fact, atypical of his working method. According to Jarmusch, vampires are imaginative people. As a result, they can not be associated with the living dead. The negative role of corpses contaminating blood as well as nature is held by humanity, which Adam and Eve contemptuously call zombies. Jarmusch has repeatedly mentioned his sympathy for marginalized artists and his sad certainty that humanity will soon destroy itself in interviews. So Only Lovers Left Alive offers a metaphorical portrayal of the directors vision.

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ALL ABOUT TOWN

Saturday, Nov. 29


Cats, dogs, birds, rodents and reptiles are just some of the things that will walk and crawl at Lenexpo convention center this weekend as part of Zooshow, a two-day exhibition featuring not only mans best friends but a four-legged fashion show, as well as a food fair that will help pet owners find out more about which kibbles are best for their hungry pets.



Sunday, Nov. 30


Remember the 75th anniversary of the beginning of the Russo-Finnish war in 1939 during todays reenactment titled Winter War: How it Was. More than 200 people will take part in recreating the opening salvoes of the battle for the north in Kamenka, a small village situated between Vyborg and St. Petersburg, using authentic equipment and vintage vehicles from the era. The faux battle begins at 2 p.m.



Monday, Dec. 1


Serbia filmmaker Emir Kusturica is the featured guest this evening at the Lensovet Palace of Culture the Petrograd Side. Fans of the director will get the chance to watch his movie Black Cat, White Cat, as well as ask questions about his award-winning filmography. Tickets for the event, which starts at 7 p.m., start at 2,000 rubles ($42.50).



Tuesday, Dec. 2


Today is the final day of Takoy Festival, a three-week program of plays based on the works of Dostoevsky, Remarque and other famed European writers, whose work is transcribed for theatrical performances. Tonights festival finale is Fathers and Sons, a two-act drama staged by the Novosibirsk Academic Drama Theater based on Turgenevs classic about familial relations.



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