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Solzhenitsyns Troubled Prophetic Mission

Published: August 8, 2008 (Issue # 1397)




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Alexander Solzhenitsyn, viewed as a political figure, was very much in the Russian conservative tradition a modern version of Dostoevsky. Like the great 19th-century writer, Solzhenitsyn despised socialism and yet had no use for Western culture with its stress on secularism, freedom and legality.

I recall very well the commencement address that he delivered 30 years ago at Harvard University. The audience of students and their families, aware of Solzhenitsyns anti-communism, expected a warm tribute to the West and especially to the United States, which had granted him asylum. Instead, they were treated to a typical Russian conservative critique of Western civilization for being too legalistic and too committed to freedom, which resulted in the weakening of human beings in the West while in the East they are becoming firmer and stronger. At the bottom of this censure lay a wholesale rejection of the course of Western history since the Renaissance.

Solzhenitsyn blamed the evils of Soviet communism on the West. He rightly stressed the European origins of Marxism, but he never asked himself why Marxism in other European countries led not to the gulag but to the welfare state. He reacted with white fury to any suggestion that the roots of Leninism and Stalinism could be found in Russias past. His knowledge of Russian history was very superficial and laced with a romantic sentimentalism. While accusing the West of imperialism, he seemed quite unaware of the extraordinary expansion of his own country into regions inhabited by non-Russians. He also denied that Imperial Russia practiced censorship or condemned political prisoners to hard labor, which, of course, was absurd.

In some of his historical writings, there are strong hints of anti-Semitism, a common vice of writers of the conservative-nationalist persuasion in Russia. In his 1976 book, Lenin in Zurich, Solzhenitsyn depicts Helphand-Parvus as a slimy character who tries to persuade Lenin to return to Russia to start a revolution. In August 1914, published in its expanded form in 1984, he explains the assassination of Prime Minister Pyotr Stolypin by Dmitry Bogrov, a thoroughly assimilated Jew, on the alleged grounds that Stolypins plans for a better Russia promised nothing good for the Jews. Fortunately, in his last book published in 2003, Two Hundred Years Together, an ambitious history of Jews in Russia, Solzhenitsyn unequivocally exonerated the Jewish people of responsibility for the Russian Revolution.

It is difficult to envisage what kind of a Russia Solzhenitsyn wanted. He was not unhappy about Russias loss of its imperial possessions, yet he did not favor a state based on law and democracy. He disliked what he saw after his return to Russia in 1994, during Boris Yeltsins rule, but, strangely enough, he came to terms with then-President Vladimir Putin and his restrictions on both democracy and the free market. Although Solzhenitsyn vehemently rejected communism, in many ways he retained a Soviet mind-set. Anyone who disagreed with him was not merely wrong but evil. He was constitutionally incapable of tolerating dissent.

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ALL ABOUT TOWN

Friday, Oct. 31


Put your grammar and logical thinking to the test in a fun and friendly environment during the British Book Centers Board Game Evening starting at 5 p.m. today. The event is free and all are welcome to attend.



Saturday, Nov. 1


The men and women who dedicate their lives to fitness get their chance to compete for the title of best body in Russia at todays Grand Prix Fitness House PRO, the nations premier bodybuilding competition. Not only will men and women be competing for thousands of dollars in prizes and a trip to represent their nation at Mr. Olympia but sporting goods and nutritional supplements will also be available for sale. Learn more about the culture of the Indian subcontinent during Diwali, the annual festival of lights that will be celebrated in St. Petersburg this weekend at the Culture Palace on Tambovskaya Ul. For 100 rubles ($2.40), festival-goers listen to Indian music, try on traditional Indian outfits and sample dishes highlighting the culinary diversity of the billion-plus people in the South Asian superpower.



Sunday, Nov. 2


Check out the latest video and interactive games at the Gaming Festival at the Mayakovsky Library ending today. Meet with the developers of the popular and learn more about their work, or learn how to play one of their creations with the opportunity to ask the creators themselves about the exact rules.



Monday, Nov. 3


Non-athletes can get feed their need for competition without breaking a sweat at the Rock-Paper-Scissors tournament this evening at the Cube Bar at Lomonosova 1. Referees will judge the validity of each matchup award points to winners while the citys elite fight for the chance to be called the best of the best. Those hoping to play must arrange a team beforehand and pay 200 rubles ($4.80) to enter.



Tuesday, Nov. 4


Attend the premiere of Canadian director Xavier Dolans latest film Mommy at the Avrora theater this evening. The fifth picture from the 25-year-old, it is the story of an unruly teenager but the most alluring (or unappealing) aspect is the way the film was shot: in a 1:1 format that is more reminiscent of Instagram videos than cinematic art. Tickets cost 400 rubles ($9.60) and snacks and drinks will be available.



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