Tuesday, October 21, 2014
 
Follow sptimesonline on Facebook Follow sptimesonline on Twitter Follow sptimesonline on RSS Download APP
MOST READ



PARTNER NEWS



BLOGS



OPINION



WHERE TO GO?

19th Century Portraits

History of St. Petersburg Museum: Rumyantsev Mansion

 

  Print this article Print this article

Lars Von Triers Coitus Interruptus

Nymphomaniac Vol. 1 is unsatisfying in more ways than one.

Published: February 19, 2014 (Issue # 1798)



  • Sophie Kennedy Clark, left, and Stacy Marten in Lars von Triers Nymphomaniac Vol. 1.
    Photo: Christian Geisnaes / Zentropa

At one point in Lars Von Triers new film Nymphomaniac Vol. 1 Charlotte Gainsbourgs character Joe says, We are all just waiting for permission to die. If Von Triers previous film Melancholia embraced the liberating ecstasy of total annihilation, Nymphomaniac Vol. 1 is the sad, seedy comedown after the rapture fails to materialize. Its no wonder the character longs for the grave.

Before the film, a disclaimer informing the audience that the movie has been censored with the approval, but not the participation, of the director appears on screen. The films producers have said that this was a commercial decision to allow the film access to more markets. With von Triers radio silence after his Nazi remarks during the promotion of his last film, who is to know exactly what to make of this. While his producers have been forthcoming on the subject, and both versions of the film have been edited by the same editor who worked on Melancholia, the move reeks of cowardice and avarice.

The film begins with an image of oily looking water running down a brick wall onto the lid of a trashcan. This is followed by a shot of a woman (Charlotte Gainsbourg as Joe) lying unconscious nearby. That the first two things to detach themselves from the gritty surroundings are the trashcan and the main protagonist says a lot about the way Von Trier wants us to see the character. A Puritan at heart, the director casts Joe in the role of the redeemable harlot rescued from the streets.

The story is told in flashback as Joe narrates her erotic adventures to a voyeuristic fisherman named Seligman (Stellan Skarsgard) who plays the voice of indulgent rationalism. Her sexual awakening, trawling train carriages for sex and the logistical problems of trying to schedule up to ten trysts a night are all illustrated with sarcastic humor and unsimulated sex. Shuttling between Seligmans dreary room and the equally abject spaces Joe inhabits in her recollections, the film is a bleak portrait of the uses of lust and a rather tired, sensationalist rehashing of arguments about sexual liberation.

Taking literary convention as its cue, the first two-hour volume consists of five chapters and is a sort of Delta of Venus Anaïs Nins collection of short stories written for a collector of erotica which deals with omnivorous sexuality. With Gainsbourg as a scratchy-voiced Scheherazade and Skarsgard as the intellectual collector, or the lucky one as he remarks about halfway through the first part of the film, Nymphomaniac Vol. 1 plays more like theater than cinema.

While von Trier nods to filmmakers Ingmar Bergman, Peter Greenaway and Stanley Kubrick through various visual and audio cues, his film focus on the voyeuristic and pornographic tendencies of the medium and claustrophobic psychological spaces.

Pages: [1] [2]






 


ALL ABOUT TOWN

Monday, Oct. 20


Amateur pictures from World War I are on display for only one more day at Rosphotos exhibition On Both Sides, chronicling the conflict through the eyes of observers on both sides of the trenches. The price of entrance to the exhibition is 100 rubles ($2.50).



Tuesday, Oct. 21


The Environment, Health and Safety Committee of AmCham convenes this morning at 9 a.m. in the organizations office.


Take the chance to pick the brains of Dmitry V. Krivenok, the deputy director of the Economic Development Agency of the Leningrad region, and Mikhail D. Sergeev, the head of the Investment Projects Department, during the meeting with them this morning hosted by SPIBA. RSVP for the event by emailing office@spiba.ru before Oct. 17 if you wish to attend.


Improve your English at Interactive English, the British Book Centers series of lessons on vocabulary and grammar in an informal atmosphere. Starting at 6 p.m., each month draws attention to different topics in English, with the topic for this months lessons being visual arts.



Times Talk